I became enthralled
immersed in the imagery
drinking in the brush
strokes
the shimmering water
the depth of feeling
sitting in the room
of the gallery
not seeing, no more than
that
is experiencing what I mean
more still, focused,
absorbing it into my being
being with the brushstrokes
feeling his passion, the
murmur,
as he painted it so long
before
in his home in France
the culmination of his art
so able to capture more than
a mood
the totality of what is to
be explored
the depth of the water
the skin of the water
water lilies, surrounding
================
edited January 28, 2016
Immersed – v3
(editing original and version 2)
edited January 23, 2016
Seeing Monet’s Lily Pads – v3
(editing version 2)
edited August 19, 2015
Seeing Monet’s Lily Pads – v2
July 15, 2013
Seeing Monet’s Lily Pads
breakfast 6/14/13
Annual Conference
New England United Methodist Church
2013 Theme: Strangely
Warmed; Formed by God
“Were not our hearts burning within us while he was
talking to us on the road, while he was opening scripture to us?”
--Luke 24:13-35 led by Bishop Sudarshana Devadhar
sermons:
“Recognizing the Holy”, 6/13/2013 (by Reverend Hand),
reflection on Luke 24:13-35, the Walk to Emmaus
“Episcopal Address, 6/13/2013 (by Bishop Devadhar)
“A Word about Work” , 6/14/2013 (by Reverend Hand)
“Do you see . . . ?”, 6/14/2013 (by Bishop Devadhar)
Honored Guests - http://www.neumc.org/pages/detail/814
Conference Preacher – Rev. Stephanie Moore Hand –
June 12, 2013 to June 15, 2015
&
Edited December 24, 2013
Immersed – v2
July 20, 2006 19:31
Immersed
Monet – 1998 – inside the room of the MFA with wall sized
paintings - http://www.mfa.org/exhibitions/sub.asp?key=15&subkey=634,
http://www.thegavel.net/2016.html
All of my
poems and photographs are copyrighted by Raymond A. Foss, 2000, 2001, 2002,
2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015,
2016. All rights reserved. Contact me at Ray
Foss (raymondafoss@gmail.com)
for usage. See all 40,780+ of my poems at www.raymondafoss.blogspot.com
Poetry Where You Live.
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