A song of sorrow, a warning,
a word of caution, of peril,
for all the black-haired maidens,
of her homeland, Ukraine…
Stay within your circle,
do not love the Moskal,
for he will stain and leave you,
in emptiness, in pain…
Like the woman at the well,
hiding from their gossip,
weeping in silence, burdened,
gathering water alone…
betrayed and abandoned,
used and forgotten, left,
the black-haired maiden fell,
under his evil spell…
He denied her, and their baby,
she an orphan mother,
on the winter road, alone,
lost in her deep despair…
a tale of caution, a warning,
for all the black-haired maidens,
do not trust the Moskals,
with evil in their hearts…
--------
Edited October 30, 2024
A word of caution – v2
after poem, “A word
of caution”,
based on the poem, “Katerina”
by Taras Shevchenko
and John 4: 5-30 (woman at the well)
&
Edited October 30, 2024
my black-haired maiden
https://raymondafoss.blogspot.com/2024/10/my-black-haired-maiden-v2.html
after poem, “my black-haired maiden”,
based on the poem, “Katerina”
by Taras Shevchenko
&
Edited October 30, 2024
In that battle where they vanquished – v2
https://raymondafoss.blogspot.com/2024/10/in-that-battle-where-they-vanquished-v2.html
after poem, “in that battle where they vanquished”,
based on the poem, “Night of Taras”
by Taras Shevchenko
&
Edited October 30, 2024
the blue sea, an angry monster – v2
https://raymondafoss.blogspot.com/2024/10/the-blue-sea-angry-monster-v2.html
after poem, “the blue sea, an angry monster”,
based on the poem, “Ivan Pidkova”
by Taras Shevchenko
&
Edited October 30, 2024
Gone the ancient freedom – v2
https://raymondafoss.blogspot.com/2024/10/gone-ancient-freedom-v2.html
after poem, “Gone the ancient freedom”,
based on the poem, “Osnovyanenko”
by Taras Shevchenko
&
Edited October 30, 2024
All my people are strangers – v2
https://raymondafoss.blogspot.com/2024/10/all-my-people-are-strangers-v2.html
after poem, “All my people are strangers”,
based on the poem, “Dumka”,
lament of an orphan girls,
successor to “The Poplar”,
and introduction to “Osnovyanenko”
by Taras Shevchenko
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2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018, 2019, 2020, 202
2022, 2023, and 2024. All rights are reserved. Contact me at Ray Foss (raymondafoss@gmail.com)
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a word of caution, of peril,
for all the black-haired maidens,
of her homeland, Ukraine…
do not love the Moskal,
for he will stain and leave you,
in emptiness, in pain…
hiding from their gossip,
weeping in silence, burdened,
gathering water alone…
used and forgotten, left,
the black-haired maiden fell,
under his evil spell…
she an orphan mother,
on the winter road, alone,
lost in her deep despair…
for all the black-haired maidens,
do not trust the Moskals,
with evil in their hearts…
Edited October 30, 2024
A word of caution – v2
based on the poem, “Katerina”
by Taras Shevchenko
and John 4: 5-30 (woman at the well)
&
Edited October 30, 2024
my black-haired maiden
https://raymondafoss.blogspot.com/2024/10/my-black-haired-maiden-v2.html
after poem, “my black-haired maiden”,
based on the poem, “Katerina”
by Taras Shevchenko
&
Edited October 30, 2024
In that battle where they vanquished – v2
https://raymondafoss.blogspot.com/2024/10/in-that-battle-where-they-vanquished-v2.html
after poem, “in that battle where they vanquished”,
based on the poem, “Night of Taras”
by Taras Shevchenko
&
Edited October 30, 2024
the blue sea, an angry monster – v2
https://raymondafoss.blogspot.com/2024/10/the-blue-sea-angry-monster-v2.html
after poem, “the blue sea, an angry monster”,
based on the poem, “Ivan Pidkova”
by Taras Shevchenko
&
Edited October 30, 2024
Gone the ancient freedom – v2
https://raymondafoss.blogspot.com/2024/10/gone-ancient-freedom-v2.html
after poem, “Gone the ancient freedom”,
based on the poem, “Osnovyanenko”
by Taras Shevchenko
&
Edited October 30, 2024
All my people are strangers – v2
https://raymondafoss.blogspot.com/2024/10/all-my-people-are-strangers-v2.html
after poem, “All my people are strangers”,
based on the poem, “Dumka”,
lament of an orphan girls,
successor to “The Poplar”,
and introduction to “Osnovyanenko”
by Taras Shevchenko
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